Friday, August 29, 2014

Revisionist history

My WWII story, still in progress VERY slowly, takes place during the last 9 days of WWII.  That includes the bombing of Hiroshima and three days later, Nagasaki.
I needed to look up the American reaction to the second bombing.  After Hiroshima, the American public was thrilled at the power and supremacy of our nation.  We were hot stuff, we'd probably gotten the Japs to their knees and were the leaders of the world.  Europe and some of Asia had been ravaged by the Japanese.  China had suffered the rape of Nanking, I think it was, where the people were slaughtered without mercy.  Hitler had done his own fair share of slaughtering innocents with a true purpose in mind. He liked it.  He was an animal.  He had no conscience, and apparently, neither did the Japanese military.
There are films of young schoolgirls training to fend off the enemy with sharpened poles.  They were told to hate us and they did.
If we were going to win the war, we had to do something drastic, not wait for Stalin to somehow get across the vast expanse of Siberia to join in the war and obliterate the Japs who were in Manchuria and Korea and other places.
So, we dropped a bomb...not just any bomb, but the most destructive force in the world.

The rest is history.
Or is it?

I looked up stuff today about the reaction to the dropping of the bombs.  I had seen photos of how the people reacted when they heard about the atomic bomb and Mr. Truman's speech that fateful day to all Americans.  But I wanted to find out if any fuss was made over the dropping of the second plutonium bomb, Fat Boy, on Nagasaki.

All I could find was second thought, revisionist history in which people born probably well after the war was over wrote about how big a mistake it was to drop either bomb.  How unnecessary it was.  How there was no need for a land invasion that would kill a million American forces.  It was, in their opinions, a bunch of lies.  The Japanese were on their knees already.  They had no army left.  They deserved to be treated differently.

Yeah.  It's easy to sit in the comfort of the future and say what an unnecessary, perhaps even evil thing we did.
How is it that, seen through the cataracts of time, it was a horror?
Yes, it was brutal and we wouldn't do it now because we've made our peace with our enemies, but then, when how many brave men died for the cause of freedom, it was justified.

War is hell.  Yes, it is a horror show and evil and bloody and destroys so many lives, not to mention property, because it's the lives we're concerned about.  There is nothing good about war--any war, whether a Crusade or Vietnam or this mess we find ourselves in today.  But it continues to happen and we continue to rise to the bait and use power against power to see who comes out on top.

What bothers me most is how these historians condemn what was done through the benefit of hindsight.  Give me a break.  There is nothing good about war, and absolutely nothing good about trying to excuse the outcome or what anyone does in a war.  Certainly words written 60 years later will not make anything better.  It won't make Hiroshima or Bataan or Burma or Saigon or any of those mud hut towns in faraway places better.

To change history is a mistake.  It's not 1984, we can't make up facts, but we can change how they are reported.  Facts are.  They can't be erased to make people feel less guilty.  No confession of evil absolves anyone. 
If you can find a veteran, ask him or her how they feel about putting their lives on the line so historians can try to change their reality.
Go ahead.


Just don't ask one from our more recent conflicts.  You might get decked.

Sunday, August 17, 2014

Obscuring the Obvious

Back in 1956, a woman named Grace Metalious wrote the novel of her lifetime, Peyton Place.  It had it all...rape, incest, promiscuity, money, poverty, New England (four towns thinly disguised) and murder.  Instantly, it became a bestseller, sitting on the NYT bestseller list for 59 weeks.  Just goes to show you what the reading public wanted back then.
Move ahead to 1957 when it was dramatized for television.  So many characters, so many threads, so many arcs to follow, but one sticks in my mind.

Recently widowed, Constance MacKenzie comes back to her hometown with a baby girl, Allison.  She is beautiful and tries to live the quiet life...for a reason.  Her widowhood does not bear close examination because Allison was born out of wedlock...way out of wedlock and back then, in 1957, by all accounts, that was enough to have a scarlet letter sewn on her dress.  She hides her daughter's illegitimacy by buying a framed photograph at Woolworth's of a soldier and standing it on the mantel of their fireplace.

Time passes.  Allison (Mia Farrow) grows up, goes to high school.  She is pursued by the son of the richest man in town, Rodney Harrington.  Now, in the book, old Rod is killed in a car crash.  He lives quite well in the TV show, played by the actor who now plays Bones's father (Ryan O'Neal) on the show of that name.  He has a younger brother, but the father, the richest guy in town, of course favors his older son, much to the regret of the younger.  That comes into play later.

Allison doesn't know she hides a Big Secret.  She would LOVE to marry Rodney, but somebody shows up who knows either 1. she's fatherless or 2. also bought the same picture frame at Woolworth's.  The jig, as they say, is up.

Allison is crushed to learn she was born on the other side of the blanket from her mother.  Her tiny New England town would be aghast and certainly, Rodney will shun her along with everyone else for this fact.
Little does she, and the other people in town know what the truth about marriage among the Puritans was really like.
You see, back in the old, old days, despite the bundling boards and that nonsense, something like 2/3 of all marriages took place because the woman had already conceived the intended's child.  It was proof that she could bear children and thus help out on the family farm or enterprise in the future. As long as the couple were married within a certain amount of time (when were shotguns invented?) the child would be deemed legitimate. This is historical fact, though well hidden by the Victorian/American morality that was to follow our puritanical forebears.  I'll try to find something to cite here, but I can't remember where I heard this or read it, so it might take awhile. (Blossoms in the Dust w/ Greer Garson as Edna Gladney)

Now, look at today.  The TV censors wouldn't blink at this situation.  It was hot stuff back when I had to ask what illegitimacy meant.  My mother produced my father's 1918 birth certificate that had in the corner, a check box for legitimate or illegitimate.  Hers, from 1920, did not have this.  Thanks to someone who cared about children, this was taken off all birth certificates in the US by 1926, so that these little babies would not suffer the sins of their parents.  There was a  movie based on the woman responsible for this, can't remember the name, though. 

Today, none of this would matter, not really.
Movie stars, rock stars, government officials...they are affianced to their baby mamas and baby daddies.  Nobody blinks.

Poor Allison.  She left town and Rodney in shame.  Here's where Rodney could have died in a car crash, though. If she could just have held out a little longer, or possibly killed the person who knew her deep, dark secret!  And then her mother, because she knew, too.  Now that would have been pretty dramatic, even in 1959.